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Archive for July, 2007

Shark Week Video Mixer, Attacks!

Tuesday, July 31st, 2007

Shark Week is in full breach this week over at the Discovery Channel. In fact, they’re celebrating Shark Week’s 20th Anniversary with a host of cool features. Swimming past real-time shark tracking and virtual shark dives (hey, who wouldn’t want to do that from their chair?), Discovery’s online video editing suite is filled to the gills with awesome shark footage. Editing your own cut with music, sound effects, graphics and transitions is a little cumbersome with the Shark Week Video Remixer, but it’s really fun. Oh, and the best part is watching and sharing your edit with tons of other video editors and shark fans, right in the site.

I signed up and posted a video as “iluvsharkweek”, though so many videos are being made that this one is likely 10 pages deep.

-Andrew

Via [Cinemablend]

Red Giant Software Releases Trapcode Products for Editors

Monday, July 30th, 2007

reprinted from a Red Giant press release:

Red Giant Software Releases Trapcode Products for Editors Shine, Starglow, and 3D Stroke Now Support Final Cut Pro, Motion, Premiere Pro, and Avid AVX

San Francisco, CA, July 23, 2007 – Red Giant Software, publisher of a line of professional digital video tools, including Magic Bullet and Knoll Light Factory, today released new versions of the popular Trapcode motion graphics products called Shine, Starglow, and 3D Stroke. In 2006, Red Giant Software and Trapcode formed a partnership, where Red Giant Software assumed exclusive publishing rights to all seven Trapcode products worldwide.

Trapcode Shine version 1.5 is a handy plug-in for simulating a bright spotlight behind text or logos. Shine is used frequently for movie titling effects. Users can also create sun rays from clouds or other objects, which are great for animating backgrounds for DVD projects.

Trapcode Starglow version 1.5 brings text and titles to life with glows and glints. The filters are based on a star shape that consists of eight directions, and each direction can be assigned an individual color map and streak length. Many users like to use Shine and Starglow together.

Trapcode 3D Stroke version 2.5 lets users dynamically write on a logo in 3D space; plus create organic and fluid lines. This effect is used commonly on TV, for example with the Food Network and ABC IDs.

What’s New?
• Shine, Starglow, and 3D Stroke now work for the first time in Final Cut Pro, Motion, After Effects, Premiere Pro, and Avid AVX.
• Support has been added for full 32-bit floating-point rendering for generating light rays, glows, and animated lines with the highest quality output.
• 3D Stroke now features a series of 40 preset shapes for generating outlines or swirling strokes to captivate your audience.

Visit http://www.redgiantsoftware.com/trapcodeproducts.html for additional product information.

Pricing and Availability
• Trapcode Shine, Starglow, and 3D Stroke are now available for $99 USD each. Each product order includes support for Final Cut Pro, Motion, After Effects, Premiere Pro, and Avid AVX.

• Current Trapcode After Effects users can upgrade for $49 USD per product or $99 for all three. All upgrades include support for all platforms – Final Cut Pro, Motion, After Effects, Premiere Pro, and Avid AVX.

Digital Juice Unveils 10 New Volumes of StackTraxx Layered Production Music

Monday, July 30th, 2007

reprinted from a Digital Juice press release:

Digital Juice Unveils 10 New Volumes of StackTraxx Layered Production Music

Lake Mary, FL, July 30, 2007 — Digital Juice® announced today a fifty percent expansion of its royalty-free StackTraxxâ„¢ music library.. The ten new titles will bring the rapidly expanding production music collection to thirty-one available volumes covering an array of different styles, themes, and genres including business, world, broadcast, sports, country, cinematic, island, romantic, and R&B.

StackTraxxâ„¢ is the first and largest production music library of its kind. Each song is provided in easy-to-use separated layers, or “stacks”. By using layers, StackTraxxâ„¢ allows video editors the ability to turn on the parts of the music they need, and turn off the parts they don’t, without compromising the integrity of the composition. “StackTraxxâ„¢ gives editor’s unparalleled control of the music in their productions. The idea is to allow editors to become conductors, deciding what aspects of the music they want to bring out or tone down without the necessity of being a composer or even being musically inclined,” said CEO and Digital Juice® Founder, David Hebel. “The future of high-end royalty-free content is all about power and customization. Professionals enjoy the low cost and ease of royalty-free music but they miss the flexibility, power, and control that a custom song can provide. I think StackTraxx is really the first royalty-free music library to balance these needs and address this issue completely.”

Digital Juice® provides a free Windows® and Mac® utility, Juicerâ„¢ 3, that makes it easy to browse, search, and select from any of the StackTraxxâ„¢ volumes. Once selected, editors can audition the music and begin “conducting” by turning on and off the four to seven layers. Each StackTraxxâ„¢ volume contains at least 20 songs provided in full length, 60 second, 30 second, 15 second, and 10 second versions for a quick and easy fit into most production needs. Once selected and customized the song can be exported in numerous formats including WAV and AIFF. Users also have the option to “split the tracks” and save each layer separately for even more flexibility when brought into video or audio editing applications.

The 10 New Volumes include:

* Volume 22: Business Stacks
* Volume 23: World Stacks II
* Volume 24: Broadcast Theme Stacks
* Volume 25: Sports Stacks
* Volume 26: Country Stacks
* Volume 27: Cinematic Stacks
* Volume 28: Island Stacks
* Volume 29: Dynamic Intensity Stacks
* Volume 30: Romantic Stacks
* Volume 31: R&B Stacks

Pricing & Availability
The new StackTraxxâ„¢ volumes 22 through 31 can be ordered through Digital Juice’s online store (www.digitaljuice.com) or by calling the company’s customer service center toll-free at 800-525-2203. Individual volumes retail for $99 each but can be purchased in bundles for up to 75% off. Check the website for details on bundle pricing and specials. The company’s free Juicerâ„¢ 3 software can be found at www.digitaljuice.com/juicer/

Toon Boom Studio 4 is Coming

Monday, July 30th, 2007

Toon Boom Studio 4 Is Coming

Montreal (July 30, 2007) – Emmy Award-winning Toon Boom Animation Inc.
today announced the upcoming release of Toon Boom Studio 4. As the all-in-one animation software, Studio 4 offers a smooth experience creating rich, eye-catching animations for video, websites, television, film, games, mobile devices, and more. Based on a powerful Emmy award-winning technology, Studio 4 brings greater capabilities to create a wider range of animation styles easily, all within a more user friendly interface.

What’s new in Studio 4?
* Redesigned user interface for a seamless workflow and a smoother experience
* Unparalleled flexibility to easily customize your most convenient workspaces
* Extended animation styles to import, vectorize and animate photographs
* Increased selection of brushes to create more impressive line styles i.e. calligraphic painting
* Enhanced design quality with blurs and glows applied on drawings with the new Feather Edges feature
* Improved motion capabilities to set more realistic moves with the new peg’s Orient to path feature
* Advanced Web publishing options to play back animation on the Internet more efficiently

Studio 4 also includes: support of Adobe Illustrator layers, the Vectorize Preview window, improved drawing tools, Alpha Onion Skinning and support of Tablet PC OS (for Windows XP and Vista).

Buy Toon Boom Studio 4 now at the pre-launch special of $299.99 US (Promo code: TBS081607), valid until August 16, 2007. As of July 27, 2007, all new clients will receive a Toon Boom Studio 3.5 key. They will see their version 4 purchase listed on the “my products” page once the transaction is completed. Their Studio 4 license key will be automatically registered and emailed to them upon customer release in September 2007 for them to download the software. Upgrades from versions 3 and 3.5 are offered at the launch special of $79.99 US until August 16, 2007 (Promo code: TBSUP081607). All orders requiring shipping will be processed upon customer release.

Information about Toon Boom Studio 4 is now available online at www.toonboom.com/products/toonBoomStudio/

Cut It with Moby’s Music and everybody wins

Monday, July 30th, 2007

Editors who’d like to use music by Moby for non-profit, non-commercial use are being given the special treatment– no music licensing fees. And, if you do want to use it outside those boundaries, Moby is taking your licensing fees and donating them to the Humane Society. He’s such a nice guy we’d thought we’d spread the news.

Found via FreshDV - Flippant News - Originally on Filmmaker Magazine

Panasonic Introduces Two New HD Camcorders

Monday, July 30th, 2007

reprinted from a Panasonic press release:

Secaucus NJ (July 30, 2007) – Panasonic today announced two new High Definition video camcorders that match the growing consumer demand for large-screen, high-image-quality TVs and the continued evolution toward High Definition video. The new HDC-SD5 and HDC-SX5 camcorders employ cutting-edge imaging technology to capture video recordings that are breathtakingly clear and vibrant, especially when viewed on a high-quality, large screen TV.

Both the HDC-SD5 and HDC-SX5 use the AVCHD format to record full-HD video with 1920 x 1080 pixel* resolution. They both employ Panasonic’s original 3CCD camera system, a professional broadcast feature, which renders vivid, true-to-life colors, outstanding detail and rich gradation. Both camcorders also boast Panasonic’s new Advanced O.I.S. (Optical Image Stabilizer) minimizing the effect of hand shake. This technology helps produce crisp, clear images, which is especially important for viewing on large-screen high resolution TVs where image imperfections are easily visible.
The HDC-SD5, which records video onto SDHC/SD Memory Cards, debuts as the world’s smallest palm-style 3CCD full-HD camcorder**. It is even smaller than its predecessor model, HDC-SD1, giving the SD5 superb portability. The SD5 also features a new USB Host function that significantly improves data storage and playback ease. With an optional newly released DVD burner, model VW-BN1, users can copy or play back video recordings in the original AVCHD format to deliver the ultimate High Definition viewing experience on a large-screen TV.

The HDC-SX5 can record full-HD motion images onto both SDHC/SD Memory Cards and DVD discs. It can record up to 180 minutes*** of video on an 8GB**** SDHC Memory Card (available September 2007), and up to 60 minutes*** on a 3-inch DVD-R dual-layer disc. The combined media captures up to 240 minutes of full-HD recording. The SX5 can also copy recorded video from an SDHC/SD Memory Card to a 3-inch DVD disc internally with the touch of a single button, without connecting to a PC. Video can also be recorded on a DVD disc in standard definition (MPEG2) format for playback on a DVD recorder/player.

“Panasonic’s first generation of HD camcorders with the AVCHD format made history in the diffusion of HD, but these new models make Living in High Definition even more of a reality for even more people,” said Rudy Vitti, national marketing manager, Panasonic Consumer Electronics Company. “Recording Full HD is easy and convenient with these compact models, so everyday events can be recorded in HD and enjoyed in HD. It’s as simple as putting an SD Memory Card into a Plasma TV or sliding a mini DVD into a Blu-ray Disc player.”

Both HD camcorders will be available in September, with a suggested retail price of $999.95 for the HDC-SD5 and $899.95 for the HDC-SX5. SRP of the VW-BN1 DVD burner will be $199.95.

More…

New Features and Functions
1920 x 1080 Full-HD Recording (New)
While conventional HD recordings have 1,440 pixels in the horizontal direction, full-HD recordings have 1,920. And while conventional recordings have a total of around 1.55 million pixels, full-HD recordings have around 2.07 million – about 30% more. In fact, full-HD has the most pixels of any HD format, and thus can render images with unmatched detail and resolution.

Advanced O.I.S. (Optical Image Stabilizer) (New)
Both the SD5 and SX5 feature Panasonic’s new and improved image-stabilization system. The system uses gyro-sensors to detect hand-shake, then shifts a lens and adjusts its optical axis to compensate. Called Advanced O.I.S., this system performs the compensation operation eight times more frequently than Panasonic’s previous system, thus achieving even greater precision and accuracy. Because this is an optical system, there is virtually no loss of quality, resulting in images that are captured in all their original beauty. Advanced O.I.S. reduces the subtle blurring that can be caused by even a slight bit of hand-shake, and it is truly necessary in an age of large-screen, high-resolution TVs, when every image imperfection is easily visible.

3CCD Camera System
Panasonic has downsized its professional 3CCD camera system for use in consumer models. In a 3CCD camera system, the light received through the lens is split into its three primary color components (red, green and blue), and the signal from each is processed by one of the three CCDs. This system, in which three separate CCDs capture and process the light information received through the lens, helps reproduce high-resolution HD images with magnificent color.

Leica Dicomar Lens

Photographers around the world know Leica Camera AG as a maker of superb cameras and lenses. This company’s advanced optical technology has been fused with Panasonic’s leading-edge digital technology to create the Leica Dicomar lens. The Leica Dicomar lens provided in the HDC-SD5/HDC-SX5 features 12 lens elements in eight groups and uses low-dispersion optical glass to reduce the blurring of color. A special multi-coating process is applied to the 14 lens element surfaces to minimize chromatic aberration, so images are crisp, clear, and free of flare and ghosting.

Pre-Rec (New)
With many camcorders it is easy to miss capturing a critical moment, such as a goal being scored. The Pre-Rec function eliminates this problem. When this feature is activated, the camcorder continuously records three seconds of images onto an internal buffer memory. Then when the record button is pressed, the three seconds immediately prior are added at the beginning of the clip recorded.

Intelligent Contrast Control (New)
This intelligent new function continually measures the ambient light intensity and adjusts the contrast as it changes. Providing control over a wider range of lighting conditions than previous functions, Intelligent Contrast Control helps prevent a washed-out look in bright parts of an image and black-outs in shadowy areas. Images are captured with natural nuances, contrast and depth, even when shooting toward the light source.

HD Advanced Pure Color Engine (New)
To match the newly developed full-HD CCD, Panasonic has further enhanced its acclaimed Advanced Pure Color Engine image processor. A new noise reduction circuit combines with the new Intelligent Contrast Control circuit to boost image quality while reducing power consumption. Offering superior images and longer battery life, the HD Advanced Pure Color Engine takes camcorder performance to new heights.

Wide Viewing Angle LCD Monitor (New)

The SD5 and SX5 incorporate a new LCD that has 300,000 pixels and a wide 170-degree viewing angle both vertically and horizontally. The wider viewing angle is a big advantage in high-angle and low-angle shooting. It’s a big benefit in playback too, allowing several people at the same time to enjoy viewing a video clip.

Power LCD Extra (New)
The brightness of the LCD can be set to either of two levels to match the ambient light condition. At the brighter setting, the LCD provides clear, easy viewing even when shooting outdoors on a sunny day.

Playback EZ SyncTM
The SD5 and SX5 are compatible with Panasonic’s EZ SyncTM. Simply connect the SD5 or SX5 to a Panasonic TV via an HDMI cable and follow on-screen prompts to operate the camcorder using the TV remote control. This adds extra ease and convenience to the fun of viewing the full-HD video.

Direct Viewing with SD Card Slot

The SDHC/SD Memory Card can simply be taken from the SD5 or SX5 and slipped into the card slot of select Panasonic Plasma TV models to view full-HD images recorded in the AVCHD format. Images saved as JPEGs can be viewed using the SD Memory card slot in select Panasonic models as well.

Archiving with USB Host Function_SD5_ (New)
Simply connect the SD5 via USB cable to Panasonic’s optional DVD burner VW-BN1 (released at the same time) and press a single button to copy recorded video clips from an SDHC/SD Memory Card to a DVD disc in the original AVCHD format. The copied DVD can be played by the DVD burner, so it is possible to view exciting, large-screen images in HD quality by simply connecting the DVD burner to the HDC-SD5 and the SD5 to an HDTV.

One Button Dubbing (SX5) (New)

The SX5 is a hybrid camcorder that can record full-HD motion images onto both SDHC/SD Memory Cards and DVD discs. It can copy data from a memory card to a disc internally, without requiring use of a PC or other equipment. This provides a quick, easy way to copy recordings onto a DVD disc for storage and archiving. By simply connecting the SX5 to a TV with an optional HDMI (High Definition Multimedia Interface) cable, the SX5 can also play back the images copied to the DVD disc. Result: easy viewing on a TV without having to use a DVD player.

Editing Software “HD Writer 2.0″ (SD5/SX5) (New)

Full-HD video clips can be easily edited with the software provided or copied onto a DVD disc. The video data can be saved in either the AVCHD or DVD-VIDEO format, depending on how it will be played back. Recordings saved in the full-HD AVCHD format are suitable for playback with a Blu-ray Disc player, while DVD-VIDEO (standard definition) recordings can be played back with a DVD player.

Videomaker Vidcast, episode 76

Friday, July 27th, 2007

As a result of survey responses (thanks for sharing your opinions with us!), we are making the Vidcast more concise, and basing it around everyone’s favorite segment: Tips and Tricks.

This week, we’ve got a tip on deceptive shooting hosted by Mark Hall.

Enjoy the show!

Vidled LED lights and fun photos

Friday, July 27th, 2007

Ever wonder what would happen if a video production company started making it’s own products?

Well, Fijordland Entertainment Ltd. did just that and the results look solid. After years of documentary production and corporate videos, Fijordland has started selling LED on-camera lights with the name Vidled. The lights come in three color temps; Warm White, Day White, and Cool White.

We snagged a new Vidled LED light for review here at Videomaker, so we’re eager to put it to the test.

fun photo

Sample videos

NewTek Ships TriCaster STUDIO

Friday, July 27th, 2007

reprinted from a NewTek press release:

NewTek Ships TriCaster STUDIOâ„¢

Breakthrough technology includes live, multi-channel virtual sets
with unprecedented realism for broadcast and web stream producers

San Antonio, TX – July 26, 2007 — NewTek, Inc., manufacturer of industry-leading video and 3D animation products, today announced the shipment of TriCaster STUDIOâ„¢, a turnkey portable, live production and virtual set system which provides a whole new level of capability to video and live event producers. The combination of portability and ease of set-up with the extensive live production capabilities of TriCaster STUDIO allows video producers to broadcast and web stream events and content at levels previously considered prohibitive.

“TriCaster makes it easy to produce, without the expense of a full truck and crew. And it gives fans the chance to see games they wouldn’t see otherwise,” says Clark Pierce, Fox Sports VP of Emerging Technology. “TriCaster will let us produce remote broadcasts where it normally wouldn’t be fiscally viable.”

TriCaster STUDIO provides all of the capabilities of a live remote production truck including: component video, balanced audio, 6 video inputs and advanced switching features, live virtual sets, multiple upstream effects, dual virtual VCR’s and more in a 16lb, low impact footprint. TriCaster STUDIO makes it possible to cover live events and broadcast or stream from locations where the use of remote truck facilities are not feasible.

Virtual Sets
The proprietary virtual set system in TriCaster STUDIO, LiveSetâ„¢ allows separate virtual sets to be assigned independently to all 6 camera inputs and the dual integrated VCR’s. In addition, each input has an independent LiveMatteâ„¢ module eliminating the need for expensive hardware for each source to be connected to the system. Each virtual set supports virtual cameras with multiple angles and zoom levels with support for secondary video sources such as reflections, refractions and bump maps.

“With TriCaster STUDIO we have introduced LiveSetâ„¢, a truly revolutionary technology that allows us to implement multi-channel virtual sets with unprecedented realism and video quality,” said Andrew Cross, NewTek Sr. VP of Software Engineering. “This proprietary technology integrated into a live production environment fundamentally changes the tools available to anyone producing video.”

Pricing and Availability
TriCaster STUDIO in NTSC is available in North America for $9,995US. TriCaster STUDIO is available in dual standard internationally for $11,995US. For more information, please visit www.NewTek.com or call NewTek Sales at 1-800-368-5441, international callers dial +1-210-370-8000.

Videomaker Short Video Contest is Under Way…

Thursday, July 26th, 2007

…and we want to see your entries! Download the Call for Entries to get started. You’ve got a bit of time, but we’re not giving you a license to procrastinate: we must receive your entry by 5PM Pacific Time on October 31 to qualify your video.

Our hats are off to our first qualified contestants. Now we’re challenging you: fill up our source drive!

As an added bonus, I’ll soon be giving you all a real-world, long-term review of some of TMPG’s handy-dandy MPEG-2 encoding and editing tools that I’ll be using over the course of the contest. The benefit of using these programs is that they generate highly optimized source files that are exactly the format that our DVD authoring software wants to see. This will make DVD authoring much easier, which will, in turn, make distributing the entries to our judges (er, the rest of the Editors) significantly easier.