Posts Tagged ‘canon’

Canon Releases DSLR White Papers

by cfulton | November 12th, 2009

1dWe’ve just been informed that Canon publishes a series of white papers detailing some of the finer points of their line of digital SLRs. The documents aren’t the usual marketing material–there are a lot of very deep details that only an engineer who also knows English particularly well (a rare feat, I assure you) would be able to articulate. You can learn things from a white paper that a spec sheet can’t even begin to get into.

We’ve not stumbled upon many other product-specific white papers, let alone a cache of them for an entire product line. If you’re a manufacturer of any products that deal with video and you’re reading this, let’s see your white papers, regardless of topic–whether product-specific or just technology-specific. We’re eager to see what you have.

Canon EOS 7D: We’ve got it

by cfulton | October 20th, 2009

7d_pix-1-resizedJust arrived in today’s mail: the brand-new Canon EOS 7D digital SLR (being held by Jennifer to the left). It’s best thought of as the little brother of the Canon EOS 5D Mark II digital SLR–the primary differences are that the 7D has a smaller image sensor with fewer megapixels, and the 7D also includes a 720p shooting mode (unlike the 5D Mark II, which only shoots 1080p as far as HD video goes.) The 7D is also a grand less, with an MSRP of $1699.

Tom saw a pre-production 7D at a Canon line show a few months back and had liked what he saw. We are eager to put this production unit through its paces, and we’ll share what we find out with you in a timely manner.

Speaking of which, a Canon EOS 5D Mark II firmware upgrade that adds 25fps and 23.976fps modes is slated to be released sometime during the first half of next year.

New Canon Digital Cameras are here, including new Canon DSLR, the EOS 7D!

by tomskowronski | August 31st, 2009

frontCanon has announced multiple new digital cameras today that combine elements of video and photography together to create some very impressive cameras. The new Canon EOS 7D is the start of a new series of DSLR cameras, perfect for amateurs and professionals alike. We had the pleasure of looking at the model and we feel it is a very impressive addition to Canon’s already successful line of digital cameras. Already leading the forefront when it comes to blurring the lines between still photography and video. The camera’s features include an 18MPX CMOS APS-C size sensor, a 94-shot burst mode, Full HD at 30p/24p/25p and more. It will be available late September and will run $1,699 for the body alone, with the full kit 28-135 at $1,899.

Also hitting the shelves in late September will be the ES100 Macro at $1,049 and the EFS 18-135 at $499. Coming in late October will be the EFS 15-85  at $799 and the WFT-E5 A will drop in early November at $699.99.

Canon Announces VIXIA HF S11

by tomskowronski | August 21st, 2009

Reprinted from a Canon press release
useLAKE SUCCESS, N.Y., August 19, 2009 – Canon U.SA., Inc., a leader in digital imaging, has introduced a new flagship model to its 2009 VIXIA high-definition camcorder line, the VIXIA HF S11 Dual Flash Memory camcorder. For those video enthusiasts looking to capture the moment in breathtaking HD quality, the VIXIA HF S11 provides advanced HD features and professional-level manual controls. Additionally, Canon announced a new camcorder accessory, the RA-V1 Remote Control Adapter for professional-level functionality when shooting from a tripod.
The VIXIA HF S11 retains Canon’s core imaging technologies, but adds several new features that enhance operability and deliver unsurpassed image quality. The VIXIA HF S11 offers the ability to record up to 24 hours of crisp high-definition video to a 64GB internal flash drive and the option of recording video directly to removable SDHC memory cards for fast and easy sharing of memories. Two new features that help enhance the video capture and viewing experience are Canon’s new Dynamic SuperRange OIS system, which delivers the ultimate in shake correction by providing continuous adjustment throughout the entire zoom range, and an Advanced Video Snapshot Mode which allows you to create the perfect highlight movie to share with family and friends by recording a series of four second clips when in shooting mode as well as in playback mode.
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5D Firmware Updates now Available

by VideoChick | June 2nd, 2009

From a press release from Canon issued today:

the hotly anticipated firmware update for the EOS 5D Mark II Digital SLR Camera is now available.

This new firmware will accommodate a great number of user requests for manual exposure control in the EOS 5D Mark II video mode. canon_5d_01Manual exposure control while shooting video on the EOS 5D Mark II is expected to make a big impact with cinematographers and videographers using the 5D Mark II for high-end HD video production.

Please follow the link below to the EOS 5D Mark II product page on the Canon U.S.A. Web site to download the new firmware. Let us know if you have any questions, thank you.

http://wwwusa.canon.com/consumer/controller?act=ModelInfoAct&fcategoryid=139&modelid=17662#ModelDetailAct

Looking Back at NAB 2009- Camcorders

by jburkhart | April 27th, 2009

Once again traveling the halls of the Las Vegas Convention Center, at NAB we made a bee line for the camcorder manufacturers to see what was available in the low end of the broadcast range.

320gy-hm100stJVC was showing off it’s new ProHD solid state GY HM-100 and GY HM-700 camcorders, that record to SDHC cards in native Quicktime format. Both models record in almost every flavor of HD video, 1080i, 1080p, 720p at various NTSC and PAL compatible frame rates. The codec used is 35Mbps MPEG-2

JVC promised to get us a review unit of the hand held GY-HM 100 as soon as they’re off the assembly lines in a few weeks. The GY HM-100 is available within a few weeks at a price point of $3,995, and the HM-700 is on sale now for $7,995.

ag-hmc40angle-wmicaPanansonic announced a hand-held pro model, the HMC 40. This new small format camcorder also records to SDHC cards, but belongs to the AVCCAM line, meaning it records in AVCHD. The camcorder comes with 3, 1/4 inch CMOS sensors, with a maximum bit rate of 24Mbps.

The HMC 40 will be released in August with a suggested price of $3,195. We’re also keen to take a look at it here in the offices, as we really liked their HMC-150 in the same AVCCAM family.

5dmkiiCanon was there showing off some new broadcast lenses, but no updates to their camcorder line were there, unless you include the Canon 5D mark II DSLR, which they showed tricked out in their booth alongside their camcorders.

There were a lot of accessories for this DLSR, including follow focus systems, rails, viewfinders and various audio attachments. There’s no doubt that the DSLR as video camera is here to stay as a category. We’ve got our Canon on 5D mark II on the test bench now.

sonypovSony didn’t have much in the way of new announcements this year, but one thing that did catch our eye, was the HXRMC1, POV camera. It’s essentially an AVCHD camcorder with the lens detached and conntected to the camcorder by a 9 foot cable. There’s all sorts of uses as a second camera with such versatility.

The camera shoots 1080i AVCHD to Memory Stick, and includes a 10x zoom lens, and weighs only 1lb. 1oz, making it possible to stick anywhere. Uses include work as a helmet-cam, or mounted on a boom pole for some extreme POV shots.

Making Videos with DSLR’s

by jburkhart | March 26th, 2009

5dmkiiDigital still cameras have had rudimentary video capabilities for some time. However recent advances in high end models such as the Panasonic Lumix DMC-GH1k, Nikon D90, and the Canon 5d mark II have made the idea of creating high-quality video content on a still camera a reality.

For the first time in it’s history Videomaker will review a still camera (Canon 5D mkII) in it’s pages, and we will add the Digital Single Lens Reflex (DSLR) as a new category of camcorder henceforth. As you would expect, the focus on the review will be on the video capabilities of the camera, with a brief overview of its still photo functions.

We will focus on using the DSLR in real world shooting conditions, in terms of capacity battery life, audio capabilities and other practical tests. The footage that we’ve seen so far is very impressive, but there are some real limitations to capturing video with DSLR’s at this stage.

In broad strokes, some of the advantages of the DSLR video format are:

  • Full Frame 35mm Sensors create a shallower Depth of Field
  • High quality and relatively inexpensive lenses
  • Integral “film look”

Some of the disadvantages are:

  • Limited record times
  • Poor audio capability
  • Limited video controls
  • Lens zoom and focus not designed for motion pictures, only stills

While still very much in their infancy, I expect that DSLR’s will make great strides in the near future in terms of video capabilities, and will be viable digital cinema cameras after a few versions.

Video recording in Disneyland

by VideoChick | March 20th, 2009

I just returned from a whirlwind adventure in Disneyland, also known as the happiest place on earth.  It’s also one of the most photographed places on earth.

Disneyland Logo

Disneyland Logo

But for me, for the first time in my life, I did not take a video camera on the trip.  Not because I didn’t want to lug the cam around, but because I forgot to grab it as I rushed out the door.  So, I was stuck watching other people shooting video, and in the three days there, I learned a few things about how the average person captures their vacation memories.

I wasn’t surprised to see that nearly every family there had at least one member shooting video. What I was surprised by, however, was the number of older Hi8 and Super8 video cameras still in use. There were also a lot of the very tiny camcorders like the Flip, which are easy to carry and flip out anytime. Most of the camcorders I saw, however, were the mid-sized cams like my son’s Canon Vixia HD cam. He daringly shot video onto this small palm-size camcorder while soaring down the Matterhorn. Something I’d never have attempted with my larger Sony VX2100.

The most amazing thing I saw, though, was even with all the knowledge about shooting techniques on the internet, in books, magazines, and DVDs, people still can’t compose interesting shots.

Fireworks over the Mark Twain Riverboat

Fireworks over the Mark Twain Riverboat

I stood in line for a ride behind a woman trying to capture a shot of the Small World façade in the distance. Most of her video had the back of the heads of the people in front of her. While on a raft crossing the river to Tom Sawyer’s Island, one man kept panning from his kids to the left to the Island to the right; back and forth… back and forth… And another clueless guy was trying to shoot and walk down the middle of Mainstreet, narrating his footage as he stumbled and trip over pedestrians, baby strollers, and garbage cans.

It was hard not to tell these people, “here, let me help, I’m a pro.” Or hand out my business card telling them, “Subscribe to Videomaker… please”.

While trying to compose a night-time shot of my grand-daughter in front of Cinderella’s castle in Fantasyland, the brightness of the castle’s lights kept dimming the light level on the auto iris on my daughter-in-law’s point-n-shoot still camera, throwing my grand-daughter into darkness.

I told her to step back about twelve feet from the castle, bring my grand-daughter closer to the camera, which would allow more light on the child and more darkness around the castle to enter the camera’s iris. My daughter-in-law marveled at how well it worked.

As we were leaving, I saw another woman move into the same stance, and move her child into the spot my grand-daughter just vacated. Ah… teaching shooting techniques, one convert at a time.

Shoot a Canon Underwater

by VideoChick | February 18th, 2009

 Shark Underwater

It might be full-on winter right now, but if you have visions of shooting underwater videography of sharks or just the kids in the backyard pool this summer, check out the latest gadget from Canon.

Canon just announced a new WP-V1 Waterproof Case for the VIXIA HF20 and VIXIA HF200 Flash Memory Camcorders. You can dive up to depths of 130 feet to capture exciting underwater adventures. The compact and light-weight housing hugs the camcorder like a wet suit, enabling easy on-camera operation and control.

hf200 Checking in at $600, the housing isn’t cheap, but none of the true underwater housings are. The VIXIA HF200, pictured here, has an MSRP of $750 and the VIXIA HF20 runs about $900. Both will be on the market this coming April.

A rule of thumb for anyone wishing to do any underwater shooting, do your research on the housing first, then decide on the camera. In most cases, one size does NOT fit all.

Read our underwater shooting tips here: In Depth Video Tips and Dive in! The Water’s Fine.

Find our more about the Vixia HF-20/200 AVCHD camcorders on our blog here: http://videomaker.com/community/blogs/videonews/tag/vixia/

And more on Canon’s underwater housing from this press release issued Feb. 18th, 2009: Read the rest of this entry »

Canon releases 2009 Camcorder Line-Up and Pricing

by jburkhart | February 9th, 2009

HFS 100Canon released the pricing and availability of their Camcorder line-up for 2009. Initially launched just before CES in January, this line up includes the new HFS-10/100 and the revamped HV-40.

Details are below:

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