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December 2003 Table of Contents

Feature Stories

Drawing a Blank

by D. Eric Franks
Tips for buying blank videotape and discs for your productions.

Buying a Camcorder

by Hal Robertson
Finding the perfect balance of features, price and quality.

Using Camera Angles Like a Pro

by Jim Stinson
In quality videos, camera angles enhance the style of the program

Columns

Viewfinder: Our Hope for You

by Matthew York
Our Hope for You

Home Video Hints: Easy-to-make Labels

by Dr. Robert G. Nulph
Simple labels for your videos and DVDs.

Light Source: Lighting Moving Targets

by Jim Stinson
A few lights can cover a lot of action -- if you know how to use them.

Editing: What Did You Say?

by Bill Davis
Understanding the hidden meanings of transition effects.

Sound Advice: Living a Balanced Life

by Hal Robertson
Making the most of balanced audio cables and connections.

Test Bench

Departments

Quick Focus

by Charles Fulton

New Gear

by Charles Fulton
  • Boris Title Toolkit After Effects Plug Ins
  • Software Architects GreatVideo! 2.0 DVD File Converter
  • Focus FireStore FS-3 Capture Device
  • Contour Design ShuttlePro V.2 USB Jog/Shuttle Dial
  • Lowepro CompuTrekker AW Backpack
  • Pitch-A-Pak Presentation Albums
  • MainConcept MainActor 5.1 Video Editing Software

Video News

by Charles Fulton
Video industry news. Sony Announces DCR-VX2100. Gateway: Not Just Computers Anymore. Avid Launches Xpress Pro. Ulead Set to Debut DVD Workshop.

November 2003 Table of Contents

Feature Stories

Lens Accessories

by Chuck Peters
Accessorize your lens with filters, adapters and controllers.

Editing Software for Any Budget

by D. Eric Franks
Professional quality video doesn't have to cost a fortune.

Shooting for the Final Edit

by Brian Pogue
If you plan to edit your videos, you should shoot them differently.

Freeze Frame

by Hal Robertson
Using still images in your videos.

CCDs: Capturing the Image

by Joe McCleskey
In today's technological world, there is much we take for granted. Camcorders, for instance.

Columns

Viewfinder: Satisfaction Guaranteed

by Matthew York
Satisfaction Guaranteed

Home Video Hints: Video on CD -- You Can Do it Too!

by Greg Askins
Follow a reader through the process of creating a VCD

Light Source: Build Your Own Lighting Kit

by Jim Stinson
Assemble a three-light kit for $100; a complete outfit for less than $200.

Take 5: Five Tips to a Simple Film Effect

by Chuck Peters
Five tips to a simple film effect.

Communication: The Foundation of Production

by Randal K. West
The most important thing a director has to do is communicate.

Editing: Making Moving Titles

by Bill Davis
Create basic motion graphics with your editor's timeline.

Sound Advice: Mix it Up!

by Hal Robertson
Using multiple microphones in your video production.

Test Bench

Departments

In Box

by Charles Fulton

Quick Focus

by Charles Fulton

New Gear

by Charles Fulton
  • Sony DCR-PC105 Mini DV Camcorder
  • MacroSystem US Avio DVD Editing Appliance
  • AVerMedia DVD EZMaker USB 2.0 Analog Capture Device
  • ADS Instant DVD 2.0 Analog Capture Device
  • 2d3 SteadyMove Image Stabilization Plug-In for Premiere Pro
  • Pioneer PRV-LX1 DVD-R Recorder
  • Maxtor OneTouch FireWire/USB 2.0 Hard Drive
  • Century Precision Optics LCD Widescreen Magnifier
  • HP dvd300 DVD Burners
  • 16x9 DuoPod DV Monopod

Zoom In

by Charles Fulton

Special Issue 2003 Table of Contents

Feature Stories

A Buyer's Guide to DVD Authoring Tools

by Stephen Muratore
The software and hardware you need for the job.

DVD Authoring Software: Special Buyer's Guide

by D. Eric Franks
The software you need to design and create your own DVDs.

Burner Buying Basics: DVD Burners

by Charles Fulton
What to look for as you buy a burner.

DVR-R , DVD+R, DVD-RAM: What's the Difference?

by D. Eric Franks
Understanding the differences meanings and reasons for the differing formats.

Columns

Test Bench

Departments

October 2003 Table of Contents

Feature Stories

Editing Appliances: The Magic Boxes

by Jim Stinson
As a dedicated editing machine, a standalone box can be a better choice than a PC--if it delivers the features you want.

Stacking Tracks

by Chuck Peters
Compositing software applications for video layering.

Multi-camera Event Taping

by Alan Camou
How to hook up for a multi-camera shoot.

Color Calibration

by Michael Hammond
Understanding white balance and color temperature.

Columns

Viewfinder: Slide Shows

by Matthew York
Slide Shows

Home Video Hints: Four Essential Audio Elements

by Chuck Peters
What you hear is as important as what you see.

Light Source: Working with Mixed Lighting

by Jim Stinson
Mixed lighting isn't necessarily a disaster. Here are some pragmatic solutions for your next location shoot.

Jargon: Camcorder Terms

by Chuck Peters
Camcorder Terms

Editing: Get Organized!

by Stephen Muratore
"Beauty from order springs."--William King, Art of Cookery

Audio Advice

by Hal Robertson
Many video editing programs include a feature that allows you to adjust audio volume continuously throughout a clip. Premiere calls these rubber bands and they are very simple to use.

Test Bench

Departments

In Box

by Charles Fulton

Quick Focus

by Charles Fulton

New Gear

by Charles Fulton
  • Video Stix
  • Ulead StudioQuartet
  • Frezzi Dimmer Micro-Fill Light Kit
  • Photoflex HalfDome2 Softbox
  • Sony Rough Cut AIT-2 Drive
  • Western Digital Special Edition Hard Drive
  • P+S Technik Mini 35 Digital Adapter
  • Avid Mojo Nonlinear Accelerator
  • Boris RED 3GL
  • Plextor PX-504A DVD+R/+RW Burner

Zoom In

by Charles Fulton

September 2003 Table of Contents

Feature Stories

Monitor Your Monitor

by D. Eric Franks
Monitors for Video

8 Capture Considerations: What to Look for in a Digitizer or Capture Card for Video

by D. Eric Franks
Getting video into your computer is easier than ever.

Shooting for Compression

by Dave Tainer
If your work will be viewed on the Internet, you need to shoot with compression in mind.

Shooting from the Hip: A Case Study

by Bill Mauger*
In the jungles of Indonesia, you don't have the same level of control that you have in the studio, but the shot is still the same.

7 Reasons Your Next Camcorder Should Be DV

by Charles Bloodworth
There's nothing wrong with analog camcorders, but there are many good reasons your next camcorder should be digital.

Columns

Viewfinder: Delivery

by Matthew York
Delivery

Home Video Hints: Home Video Distribution

by Joe McCleskey
There are more options for getting your video seen than ever before.

Light Source: Hard Light, Soft Light

by Jim Stinson
Through spots or soft lights can be used to create theatrical or natural lighting styles, they're often most effective when employed together.

Take 5: Five Tips for Tape Storage

by Charles Bloodworth
How do you preserve your videos over the long haul? Here are five tips.

Directing to Edit

by Jim Stinson
By anticipating your editor's needs and shooting footage to fulfill them, you can help create a better program--and a happier editor.

Editing: Layering Video

by Bill Davis
Creating composite effects.

Sound Advice: 10 Tips for Better Audio Gathering

by Hal Robertson
Make your list and check it twice.

Test Bench

Departments

In Box

by Charles Fulton

Quick Focus

by Charles Fulton

Video Equipment

by Charles Fulton
Canon Elura 50 Mini DV Camcorder, Bella Editing Keyboards, SanDisk Cruzer Memory Card Adapter, Sony DSR-DU1 Hard Disk Recorder, Shining Technology CitiDISK DV Hard Disk Recorder, Artbeats Stock Footage Libraries, Eddie Barber Steddiepod, eMense Video Librarian, Music 2 Hues Flagship CDs, Granite Digital FireVue FireWire Hard Drive Enclosure

Zoom In

by Charles Fulton

August 2003 Table of Contents

Feature Stories

Tripods

by Chuck Peters
Without a doubt, the best way to get steady shots is to use a tripod.

Turnkey Video: The Future is Now

by Joe McCleskey
Find out what's available in the turnkey video editing marketplace, from $1,300 desktop computers to $15,000 professional workstations.

Is 24P for Me?

by D. Eric Franks
You may want 24p, but do you really need it?

Columns

Viewfinder: Iraq Needs More Video Producers

by Matthew York
Iraq Needs More Video Producers

Home Video Hints: Titling Tips

by Pat Bailey
Identifying and resolving basic problems behind ineffective video titles.

PBS & ITVS: Fertile Soil for Independent Videographers

by Alessia Cowee
From Production to Programming, PBS and ITVS offer unique opportunities for videographers. Learn how to create, format and submit video for PBS and ITVS.

Light Source: Mop Up That Spill!

by Jim Stinson
There's no need to cry over spilled light, just follow this simple advice.

Editing: Using Stock Footage

by Bill Davis
Stock footage can save you both time and money.

Sound Advice: Editing Narration

by Hal Robertson
Digital audio editing for perfect voiceovers.

Test Bench

Departments

In Box

by Charles Fulton

Quick Focus

by Charles Fulton

New Gear

by Charles Fulton
  • DV Caddie Camera Support
  • Edirol V-4 Video Mixer
  • TDK Armor Plated DVDs
  • Maxell Camcorder DVDs
  • Ikebana 40GB USB Hard Drive
  • Medea VideoRAID RTS
  • DVControl RM-BARE LANC controller
  • ADS Technologies PYRO A/V Link FireWire Breakout Box
  • GeeThree Slick Transitions for iMovie
  • Memorex 4x DVDs

Zoom In

by Charles Fulton

July 2003 Table of Contents

Feature Stories

Camcorder Bags

by Charles Fulton
Is a good bag important? You bet your sweet camcorder it is!

Microphone Jungle

by Tip McPartland
Searching for a microphone can feel like being lost in a jungle.

What is Lux: Shedding Some Light on Low Light Cameras

by Brian Pogue
Manufacturers love low lux ratings, but consumers may be left in the dark.

Call for Entries--The 17th Annual Videomaker/Panasonic Short Video Contest

by Chuck Peters
It's time to submit your tapes for the 17th Annual Videomaker/Panasonic Short Video Contest.

Columns

Viewfinder: The History of the Image

by Matthew York
The History of the Image

Home Video Hints: Watch Your Language!

by Brian Peterson
The world of transitions speaks a language we all understand--whether you realize it or not.

Light Source: Lighting for Compositing

by Jim Stinson
Good lighting is the key to chromakey.

Secrets of Video Training: We Betray the Instructional Designer's Guild

by Jim Stinson
Developing a training video is a straightforward process--if you know the techniques of professional instructional designers.

Computer Editing: Shooting for a Specific Audience

by Bill Davis
Tailor your shows for the people who will watch them.

Sound Advice: Recording Performances

by Hal Robertson
Conquering the unique challenges of recording performance audio.

Test Bench

Departments

In Box

by Charles Fulton

Quick Focus

by Charles Fulton

New Gear

by Charles Fulton
  • Datavideo SE-800 Digital Video Switcher
  • Intervideo WinDVD Creator Plus
  • Manfrotto 522 LANC Camera Controllers
  • Edirol M100FX Audio Mixer
  • Red Planet Cinema Media Mixer Stock Backgrounds
  • Adobe Encore DVD
  • Leapfrog CCaption Pro

Zoom In

by Charles Fulton

June 2003 Table of Contents

Feature Stories

Battery Care

by Jim Stinson
Whether your camcorder batteries are NiCd or Li-Ion, some common sense and TLC will increase their output and prolong their lives.

Camcorders for the Rest of Us

by Chuck Peters
Even in this digital age, camcorder manufacturers continue to market analog (8mm, Hi8, VHS and VHS-C) camcorders. Why? Because analog camcorders are affordable, approachable and just might be all you'll ever need.

How DV Works: Technical Feature

by Bill Fisher
Take an up-close tour of the digital video system and see first-hand how this technology works.

Columns

Viewfinder: Deriving More Value from Your Video Gear

by Matthew York
Deriving More Value from Your Video Gear

Home Video Hints: Make Your Move

by Michael Hammond
Put the

Video Screenings for Fun and Fame

by Jim Stinson
Five steps to hosting your own mini-festival.

Camcorder lighting: On-Camera Lights

by Jim Stinson
How to make the most of an on-board lamp.

Jargon: Web Video Glossary

by Chuck Peters
Web Video Glossary

Stealth Directing: Getting the Most out of Real People

by Michael Joseph Kelley
When directing amateurs, you use different techniques than when working with pros.

Computer Editing: Editing Audio First

by Bill Davis
Sometimes sound comes first.

Sound Advice: Makin' Music

by Hal Robertson
Custom soundtracks for your video projects.

Test Bench

Departments

In Box

by Charles Fulton

New Gear

by Charles Fulton
  • JVC GR-HD1 Mini DV/HD Camcorder
  • Maxtor Personal Storage 5000DV FireWire/USB 2 Hard Drive
  • Canon ZR Camcorders
  • Sharp Z-series Viewcams
  • Schriber Acoustic SA-568 Shotgun Microphone
  • Apple PowerBook G4
  • Panasonic VDR-M30 DVD Camcorder

Video News

by Charles Fulton
Video industry news. Apple Announces FCP4 and DVD Studio Pro 2. JVC Pro's Low Dollar High-Def Camcorder. Panasonic AG-DVC80 and Tapeless Technology. Ulead Announces StudioQuartet Bundle.

May 2003 Table of Contents

Feature Stories

Faking a Big Fall

by Tom Patrick McAuliffe
Toss an actor from a building without breaking his neck... or the bank.

Independent News and Media Makers

by Amanda Cuda
A Passion to Inform .With digital video, it is so much more accessible for people to tell these stories.

Teaching the Truth about Video

by Jim Stinson
Classroom video projects can teach students how media can manipulate reality--and viewers

Desktop Video: Furniture for Editing Computers

by Chuck Peters
Very few back-bedroom editors put much time into selecting desks for their editing computers. Have you?

Choosing the Best Video Lighting Kit

by Dr. Robert G. Nulph
Key factors to consider when assembling a video lighting kit.

A Shot in the Dark

by Michael Joseph Kelley
Six Tips (and a Few Cautions) for Shooting Video at Night

Alphas Made Transparent

by Pat Bailey
An understanding of alpha channels is essential for both beginning and expert video editors.

Hooray for Burbank! Highlights of Videomaker Expo West 2003

by Jim Stinson
In addition to camcorders and editing systems, Expo exhibitors showed fascinating products that you seldom think about, plus a few that you didn't know existed.

Columns

Viewfinder: Getting Your Video Onto a DVD

by Matthew York
Getting Your Video Onto a DVD

Home Video Hints: Shooting Steady

by Dr. Robert G. Nulph
Steady your shots withh these handy tips.

Light Source: Using Reflectors Like a Pro

by Jim Stinson
Reflectors are cheap and easy -- just how we like 'em.

Take 5: 5 Considerations for Event Video

by Chuck Peters
5 Considerations for Event Video

Computer Editing: Which Comes First, the A or the V?

by Bill Davis
Editing when the picture drives the soundtrack.

Sound Advice: Hiding Microphones

by Hal Robertson
Sometimes microphones should be heard and not seen.

Test Bench

Departments

New Gear

by Charles Fulton
  • Eovia 3D Basics
  • Datavideo TL-1 Intervalometer
  • Viviclip Video Filters 2
  • Ulead COOL 3D Studio
  • CSS Digital Ditties
  • IBM Intellistation M Pro 6219
  • Serious Magic Visual Communicator Pro

Zoom In

by Charles Fulton

April 2003 Table of Contents

Feature Stories

Burner Basics: An Introduction to DVD Burners

by Charles Fulton
An introduction to DVD burners and formats.

DVD Authoring Software

by D. Eric Franks
DVD authoring is easier and more fun than editing.

Shooting with Lens Filters

by Jim Stinson
Lens filters control light: brightness, color, quality, focus and resolution--and they're often a simpler solution than post production effects.

Six Ways to Soup Up Your Computer for Video Editing

by Joe McCleskey
The good news is that modern computers are often ready to edit. The great news is that you can make yours even faster.

The 16th Annual Videomaker/Panasonic Short Video Contest Winners

by Charles Fulton
They impressed us, they made us think, they made us laugh and they made us cheer.

Columns

Viewfinder: Media Diversity and You

by Matthew York
Media Diversity and You

Home Video Hints: Composing Your Shots

by Dr. Robert G. Nulph
Shooting great looking video can be as simple as solving a few problems with composition.

Light Source: Sound and Light Shows

by Jim Stinson
With lighting, you can create spectacular elements with little or no budget.

Computer Editing: Six Transgressions of the Edit Suite: An Editor's Tale

by Bill Davis
Gather round ye acolytes of seamless editing. Today's scroll concerns a subject near and dear to all who believe in the power of the smooth program.

Sound Advice: Outdoor Audio

by Hal Robertson
Learning to deal with the elements as you shoot video.

Test Bench

Departments

Tech Support

by D. Eric Franks

Quick Focus

by Charles Fulton

New Gear

by Charles Fulton
  • Apple Final Cut Express editing software
  • Toshiba RD-X2 DVD-R/-RAM set-top burner with hard drive
  • muvee autoProducer DVD Edition
  • Samsung SR-T03 DVD-R/-RW drive
  • TDK Indi DVD AID+040212 DVD-R/-RW/+R/+RW Drive
  • Arboretum Systems Montage 1.0 editing software
  • Pioneer DVR-A05 DVD-R/-RW drive

Zoom In

by Charles Fulton

March 2003 Table of Contents

Feature Stories

11th Annual Guide to Computer Video Products

by D. Eric Franks
A survey of nine hot computer video product categories.

10 Ways to Steady Your Shooting

by Michael Kuhlman
Put an end to shaky shots.

Hard Disk Considerations

by Ron Mansfield
Picking the right hard disk components for your NLE system can make all the difference.

Columns

Viewfinder: A Peek at the Future

by Matthew York
A Peek at the Future

How to Use a Camcorder: Buttons and Contols

by Dr. Robert G. Nulph
Learn how to use the common camera buttons and controls on camcorders.

Light Source: Lighting Portraits

by Jim Stinson
As with still photography, the goal of a video portrait is to make your subject look as good as possible.

Videography 101: Videotaping Live Events.

by Chuck Peters
Switch to a second camera set on a safe shot with a standalone switcher.

Computer Editing: Go with the Flow -- Editing for Continuity

by Bill Davis
Paying attention to the continuity can help you communicate clearly with your audience.

Sound Advice: Interview Audio

by Hal Robertson
Tools and techniques to create high quality audio for your interviews.

Test Bench

Departments

In Box

by Charles Fulton

Quick Focus

by Charles Fulton

New Gear

by Charles Fulton
  • Hitachi CR-D10 Docking DVD Recorder
  • TEPX Logging Software
  • Ulead DVD MovieFactory 2.0 DVD Authoring Software
  • Dazzle MovieStar 5 Editing Software
  • Digital Juice Extreme Jump Backs Production Library
  • Glyph DV-Project FireWire RAIDs
  • Matrox Graphics Parhelia Triple-head Graphics Board

Zoom In

by Charles Fulton

February 2003 Table of Contents

Feature Stories

Audio Mixers Buyer's Guide

by Bruce Coykendall
Whether connecting, routing and monitoring audio within the edit suite or in the field, a mixer with the right features for the job will take your productions to new levels.

The 2002 Videomaker Best Products of the Year Awards

by D. Eric Franks
The best consumer video products of 2002 as selected by the editors of Videomaker.

Framing Good Shots

by Brian Pogue
Composition is one of the most fun and accessible aspects of videography.

Audio Cables and Connections

by Bill Fisher
Testing 1, 2, 3: Connect it right and get it clear.

Columns

Viewfinder: If you are new to making video: Welcome!

by Matthew York
If you are new to making video: Welcome!

Home Video Hints: Production Planning: Taking Your Act on the Road

by Jim Stinson
Cover the essentials for smooth shooting.

Light Source: Creating Mood with a Single Light

by Dr. Robert G. Nulph
You don't need a whole light kit to give a single character their mood.

Computer Editing: Applying Speed Effects in Post

by Michael Kuhlman
Spectacular speed effects using your nonlinear editing program.

Sound Advice: Understanding Acoustics

by Hal Robertson
Room acoustics affect the sound of your recordings--both good and bad.

Test Bench

Departments

Tech Support

by Stephen Muratore

In Box

by Charles Fulton

Quick Focus

by Charles Fulton

New Gear

by Charles Fulton
Mediostream neoDVDstandard 4.0 DVD authoring software, Dazzle DVD Creation Station 200 video capture device, Light & Motion Bluefin V950 underwater housing, Primera Technology Bravo Disc Publisher DVD burner/printer, E&M Enterprises MikeMuff microphone sock, Razor3D Producer 3D, Broadax Systems i-Link Workstation lunchbox computer, Apricorn Videoxb DVD burner/hard drive, Pinnacle Systems Expression DVD Authoring Software, Media 100i/DV 8 editing software

Zoom In

by Charles Fulton

January 2003 Table of Contents

Feature Stories

Video for Worship

by Hal Robertson
A guide to help you prepare and present practical, powerful and appropriate productions.

Finding the Best Digital Video Camera

by Bill Davis
Digital camcorders for every budget.

The Rhythm of Sight: Music and Sound Effect Libraries

by Charles Fulton
Quality and variety at a reasonable price - music libraries are the solution to your musical dilemmas.

Do-it-yourself Transitions

by Jim Stinson
In-camera transitions are more effective, unique and fun than the sterile digital effects on your computer.

Video Cables & Connections

by Bill Fisher
Wire it up and plug it in: everything you need to know about wired video transmission.

Columns

Viewfinder: On-Camera Talent

by Matthew York
On-Camera Talent

Home Video Hints: Planning Production: Part I

by Jim Stinson
Even productions for the home hobbyist can benefit from pre-production planning.

Light Source: Three-Point Lighting in the Real World

by Dr. Robert G. Nulph
It's not just a theory: check out these pragmatic three-point lighting tips in action.

Take 5: Five Quick-n-Dirty Composite Effects

by Chuck Peters
Use transitions to create these easy effects on almost any editing system.

Copyright: Legal Issues You Need to Know

by Mark Levy
Get permission or face the music.

Computer Editing: Saying a Lot With a Little

by Amanda Cuda
Use titles and graphics to grab your viewer's attention.

Sound Advice: Audio Mixing: The Perfect Blend

by Hal Robertson
Find the perfect mix of audio elements for your video.

Test Bench

Departments

In Box

by Charles Fulton

Quick Focus

by Charles Fulton

Book and Tape Reviews

by Charles Fulton
  • Film & Video Budgets, 3rd Updated Edition
  • Microsoft Windows Movie Maker Handbook
  • Creating Graphics Clients Love (and pay for!)

New Gear

by Charles Fulton
  • Samsung SCD590 Mini DV camcorder
  • Contour AV Solutions SpaceShuttle A/V Controller jog/shuttle dial
  • ACDSee 5.0 media management program
  • Minnetonka Audio SurCode Dolby V-Plug Dolby Digital encoder for Adobe Premiere
  • Azden FMX-2 XLR field mixer
  • StuffBak product recovery service
  • Panasonic BDS AG-DVX100 Mini DV camcorder
  • DRAGRI motion path software
  • Tree-Pod hands-free camera mounting system
  • in-sync Blade editing software