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  • September, 2008
    Learn about the many types of microphones and how to use them wisely. Key insights for recording indoor and outdoor audio. Editing techniques to sweeten your audio by adding sound effects at the edit bay.
  • September, 2008
    Outdoor videography can sometimes be a bit trickier than inside because you're making video in an uncontrolled environment. This DVD includes videography tips that every outdoor videographer needs to know.
  • February, 2007
    by Hal Robertson
    Anyone who has ever struggled to record a clean voice over appreciates the importance of a dedicated recording space.
  • July, 2006
    by Hal Robertson
    Mixing audio correctly is a true art form, as well as a necessary skill to have in your video production toolbox. After all, sound is half the experience of a video production.
  • May, 2006
    by Morgan Paar
  • May, 2006
    by Hal Robertson
    Two minutes of extra work on the set or in the field can save you hours of headache in the edit bay. You just need to remember to do it.
  • May, 2006
    by Randal K. West
    Considered an art form by many, documentary video production has its own special challenges and rewards. In this second of three parts on how to make a documentary, we'll explore how to plan your approach, find your subject and begin the process of bringing your vision to fruition.
  • April, 2006
    by Dr. Robert G. Nulph
    How to use Cinéma Vérité techniques to make compelling documentaries
  • June, 2005
    by Hal Robertson
    Waves crashing, seagulls screaming, kids laughing... all elements of natural sound that enhances every story and boosts the impact of your video.
  • May, 2005
    by Jennifer O'Rourke
    Have you ever wanted to wrestle a camcorder away from Uncle Buck while at a
  • April, 2005
    by Hal Robertson
    A few simple tricks to find the best way to record and edit your narrator.
  • February, 2005
    by Hal Robertson
    Getting a handle on acoustics during your shoot.
  • January, 2005
    by Hal Robertson
    In order to ensure the quality of your audio, grab a pair of headphones and put them to good use. Better audio awaits you.
  • October, 2004
    by Hal Robertson
    Creating and editing your own foley sounds.
  • February, 2008
    by Hal Robertson
    Imagine the sounds of a good Western without the sound effects of horses, gunshots, bar scenes and a fist fight. Your soundscape is just as important as your visualscape.
  • September, 2007
    by Hal Robertson
    Tune your Room
  • July, 2007
    by Tony Bruno
    Your video is nearly perfect. The lighting is moody, the camera work is stellar and the framing is fantastic. Even your sound is crisp, clear and hiss-free.
  • March, 2007
    by Hal Robertson
    Movies with true organic sounds, imagined futuristic electronic audio, and even the everyday noises around us, aren't complete without good sound effects.
  • December, 2006
    by Hal Robertson
    Tips for to improve conversation audio in your video
  • October, 2005
    by Hal Robertson
    Last month, we made the pitch for upgrading to surround sound. This month, we'll take raw materials and craft them into a complete DVD sound environment
  • September, 2005
    by Hal Robertson
    There are many techniques to creating proper surround sound projects, but you don't have to invest your mortgage on a full-blown surround system to achieve them.
  • March, 2005
    by Hal Robertson
    Using bumper music and segues in your productions.
  • September, 1996
    by Loren Alldrin
    There's more to choosing and using microphones than meets the ear. Here are some basic principles of miking for video.
  • August, 1996
    by Loren Alldrin
    Here are answers to 10 common questions about capturing clean, clear audio at weddings.
  • November, 1994
    by Glenn Calderone
    Everything you need to know about choosing and using an audio mixer for maximum sound control. Accompanied by Videomaker's annual roundup of audio mixers for video production.
  • October, 1995
    by Doug Polk
    Working with Acoustics
  • June, 1996
    by Jerry Whaley
    We've identified ten audio foibles that keep most video productions from sounding as good as they could.
  • April, 1997
    by Stephen Muratore
    We're not talking music videos here; we're talking visual music.
  • November, 1997
    by Loren Alldrin
    When sound bounces uncontrolled in an enclosed space, it can come back to haunt you. Here’s how to control it.
  • November, 1997
    by Richard Oliver
    Like any other enthusiast, pros appreciate how simplicity can open up the creative floodgates. To get the best sound from your camcorder, listen up as a pro explains his tricks for recording better audio with consumer tools.

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