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August, 2008
Outdoor videography can sometimes be a bit trickier than inside because you're making video in an uncontrolled environment. This DVD includes videography tips that every outdoor videographer needs to know.
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July, 2008
by James Williams
Nature created it; visual artists follow it. Using aesthetically-pleasing framing creatively draws your viewer into your shot composition.
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July, 2008
by Brian Peterson
Shooting video to look like film
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July, 2007
by Robert G. Nulph, Ph.D.
Whether it's shooting a wedding, baseball game, church service or two-person interview, shooting it with more than one camera can be a time-saving and very creative endeavor.
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October, 2006
by Kyle Cassidy
Beauty might be in the eye of the beholder, but a great photo is due to well-executed and thought-out composition. Take your seats, it's time for the Advanced Class in Composing.
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September, 2006
by Kyle Cassidy
What makes great art great? Composition. In this first of two parts, we'll reveal some of the secret tricks of composition that the Masters use
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August, 2006
by Michael Fitzer
A basic understanding of the rules of composition will help you frame for maximum impact and ultimately enhance the outcome of your finished piece.
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June, 2006
by Dr. Robert G. Nulph
Multitasking when you are directing is not easy but sometimes necessary. Here are a few suggestions.
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November, 2005
by Jim Stinson
Wide-angle and telephoto lenses render images differently from the way we naturally see things. Skilled videographers can exploit these differences to create effective shots.
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September, 2005
by Randy Hansen
"Shoot to Show" and "Shoot to Edit" are two different styles requiring different methods of planning. No one knows these techniques better than a run-and-gun News Photographer.
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June, 2005
by Kyle Cassidy
When one shot flows into another seemingly seamlessly, you've got the makings of good shot composition.
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May, 2005
by Jennifer O'Rourke
Have you ever wanted to wrestle a camcorder away from Uncle Buck while at a
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September, 2004
by Garret C. Maynard
Available light can be all you need if you patiently think through your options and wisely exploit the location.
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August, 2007
by the Editors
Readers' letters
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June, 2007
by the Editors
Our subscribers give advice, and share lessons learned in their videography experience.
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October, 2006
by Tony Bruno
How to manipulate the viewer into watching one portion of your movie, while other events continue along in the scene.
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February, 2005
by Kyle Cassidy
Give some pizzazz to your videos with a few simple techniques.
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October, 2004
by Marshal Rosenthal
The Ins and Outs of Manual Control.
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August, 1996
by Jim Stinson
You don't have to be George Gershwin to be a great composer. Just carefully arrange your video scenes, and you'll achieve visual harmony.
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April, 1997
by Stephen Muratore
We're not talking music videos here; we're talking visual music.
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October, 1997
by Rob Sheppard
Framing your video images helps your viewers see what you want them to see and understand what you want them to understand. In this article, you'll learn the basic rules of composition -- and when to break them.
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June, 1998
by Matthew York
Spinning a good tale is as important to video as having good gear.
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June, 1999
by Arthur Aiello
Attention to framing will make any video more interesting.
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June, 2000
by Arthur Aiello
Good shot composition is at the heart of attractive video.
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July, 2000
by Chuck Peters
Learn the answers to some common camcorder conundrums.
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October, 2000
by Mark Bosko
Learn to shoot video with the mind of an editor and your editing will be faster, easier and a lot more fun.
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March, 2001
by Mark Bosko
Learn the language of editing and edit like the pros.
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July, 2001
by Bill Davis
Learn proper composition and framing techniques to enhance the emotional content of your video proojects.
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August, 2001
by Jim Stinson
Learn how to apply four major directing tools: point of view, composition, perspective and movement.
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November, 2001
by Jim Stinson
Good video composition doesn't require years of artistic training. Fluency in some basic axioms will suffice.